This is what attracts me most to interior design, there are literally no rules. Yes, there are guiding principles and building regulations but much of this is just good common sense. One of the things that drove me crazy in my old life was the adherence to pure theory in some areas of the company (project managers you know what I’m talking about), and the way in which management theories were regurgitated, re-branded and slavishly adopted in a way David Koresh would have been envied. I once worked for a guy that would embrace anything that came in a 2×2 matrix, and another that liked anything with 7 steps. I became very skilful in shoe-horning plans into grids and developing acronyms to illustrate my vision and ensure support for my ideas. I am much happier now I don’t need to find a theory to back up my ideas, just using mood boards to illustrate my vision.
Stakeholder management is still important though. You can’t take a customer completely out of their comfort zone without a presentation strategy. I had a situation like this last week when I presented my proposals to a client for her children’s bedrooms. FYI – this is a client who told me she invested a significant amount of time and money in decorating a former home in a range of neutral Farrow & Ball tones, only to have a friend admire her for painting her whole house the same colour…..When I presented the teal feature wall and brick effect wall paper I was suggesting for her sons bedroom, alongside the dark wood and metal furniture she could see how cool it looked but was completely out of her comfort zone. Her husband and son loved it – I’m still waiting to here if she adopts the plan in its entirety….
My latest bathroom project challenges traditional views that oppose combining styles. I started out with a clear plan for a Victorian style bathroom. But removing the plaster exposed the most beautiful red sandstone, which resulted in a new plan that combined rustic and Victorian styles. All the pipework was diverted to the utility room below to avoid any boxing at skirting level. The lighting plan had to change as the wall lights needed a flat surface and the cables had to be hidden between the stones so new positions had to be found. We had planned a bathroom cabinet but this was no longer practical with such uneven walls so this was replaced with a vintage mirror. The contractors did an excellent job of using pieces of sandstone from the garden to plug any gaps in the walls, and we hid the concrete and brick lintels above the window and door behind some fake aged oak lintels. My favourite feature is the spotlight hidden behind the beam above the cast iron bath which lights it up. I think the end result is striking but you can judge for yourself.
The final touch will be pictures for the one plastered wall. I’m currently sourcing a painting to match the one below. If I can’t find the right match we’ll stick with the one painting which I fell in love with the moment I saw it – what can I say its my love of chickens….
Suppliers and contractors:
Milbrook petite cast iron bath from the cast iron bath company, painted in F&B Pavilion Grey. Marble top vanity unit from Bathstore. Toilet from Heritage range. Radiator from Castrads, painted in F&B Cornforth White. Tiles from Walls & Floors Victorian unglazed range. Lighting from Fritz Fryer. Gold taps and accessories from Victorian Plumbing. Plastered wall painted in Dulux Pebble Shore.
All stonework, plumbing and tiling by J D Osborn Plumbing & Heating Engineers. Joinery by Curwen. Electrics by Cockton Electrical. Decorating by Michael Fulton.