I’ve been spending a lot of time in the bathroom lately, and I can’t blame my old lady bladder. I’ve got four new bathrooms in progress, have just started designing another, and I’ve got four more in the pipeline. That’s a lotta loo’s. And they all have one thing in common. Size. Or should I say lack of it. Continue reading “How to design a beautiful AND functional bathroom”
I can’t decide what’s better as an interior designer being given the blank canvas of a show home or new build, or transforming something that has become tired and dated. I suppose if I enjoy them both it doesn’t really matter. Similarly, I’ve loved the freedom I’ve been given to design this latest show home, (the brief was literally here’s the budget, make it look good, quickly). But then you can’t beat the feeling you get when you show a client your designs for their home and they love them, because you’ve managed to capture everything they told you they liked, plus a bunch of things they would never have thought of but love as well. I guess I’m just saying my job rocks.
Before I became an interior designer I would dread the inevitable ‘so what do you do for a living’ question when I met new people. My actual job title made no sense to anybody outside my organisation (or most of my colleagues for that matter), and ‘work for an insurance company’ just sounds soooo dull. And if the person asking did look interested it was only because they were about to bore me senseless with the scintillating story of their last insurance claim, or ask me how they could get cheaper car insurance. Don’t care, don’t know, being my responses to both if I’d had too many sav blancs. When I became an interior designer I thought, at last a sexy job title I can be proud of! But this has now created a new problem. Being put on the spot.
Interior Designer FAQ’s
There are 2 questions I get asked all the time. The first is “What colour should I paint my living room?” (It isn’t always a living room it can be any room in the house). People ask me this question without providing any other background information, such as room size, what the light is like, what colours they prefer or what furniture they have. And they look at me expectantly like I should have the answer. I’m an interior designer not a psychic mindreading magician.
The second FAQ is “I want to do up my house how much will it cost me?” My quick answer to this has become, “How much do you want to spend?” But I thought I would share my approach to the long answer with you as it’s actually a really good question.
What’s my budget?
Most of the people I work with really have no idea how much it’s going to cost them, and it’s not just the first time buyers. I met a lovely couple last week, and one of them was a minister. They had spent most of their lives living in church houses so they had never had to replace a kitchen or bathroom or do any major renovations so had come to me for guidance. Not spiritual obviously.
Whether I am doing a single room or a whole house the first thing I do with most new customers is estimate the cost of the project so that we can agree a budget. To do this I need the answers to three questions, which also shape the overall brief:
1. What work is needed?
This isn’t just how many rooms they have, and whether it includes a kitchen or bathroom, but also the state of things like the windows and doors and the plumbing and electrics, i.e. the things that can really eat into your budget.
2. What is the desired look?
This covers both style and level of quality. Are we talking top of the range German kitchen and solid wood flooring, or secondhand furniture and ready-made curtains, or a mixture of both?
3. What are the priorities?
What do we spend money on and where do we compromise in order to keep within budget?
If we’re doing the whole house there will also be a summary that looks something like this:
The true cost of home improvements
I’ve found that when I work on whole houses we typically spend half the budget on labour, unless the customers can carry out work themselves. But I still do all of this early estimating before I bring any trades in to quote. There are a couple of reasons for this.
Firstly, I’ve been doing this long enough now to know roughly what things cost. Obviously there are things I can’t estimate, especially when you get into bespoke joinery and mysterious damp problems (for that I really need Damp Gary), but my estimates for most things are usually pretty accurate.
But more importantly I don’t like to waste peoples’ time. If we need to make compromises, and this means customers doing their own decorating, then I’d rather establish this before I bring a decorator in to price the job.
But the main reason for this early estimating is that in order to get an accurate overall cost for a room you need to have designed it. But you don’t want to design a room and go to the trouble of getting quotes from trades for a look that the customer will love but can’t afford. You need to manage your customers expectations and to do this you need to know what your budget is.
So what does it cost to do up a house?
So as you can see there isn’t a simple answer. But I will go out on a limb and say that if you have a two or three bedroom house which you want to completely redecorate and furnish, with a medium sized kitchen, an average sized bathroom, and one ensuite, then the figures in my examples above are pretty realistic for midrange in terms of quality. Obviously you can always spend more or less but I wanted to leave you with something to ponder now the Christmas decorations have come down leaving your rooms looking tired and bare.
And if you think you might want my help get in touch quickly as enquiries have been rolling in since I became a local media sensation…. (a customers words not mine after seeing my features in Cumbria Life and The Whitehaven News!)
Although I absolutely love Christmas, and literally smother my house in Christmas decorations every year, preparations do not start until at least 1st of December. Anybody wanting to get into the Christmas spirit earlier than this is quite welcome to but do not be playing Mariah Carey within my earshot, or asking me to pick off a Christmas menu. And no I haven’t started my bloody Christmas shopping yet, it’s October! So you can imagine how torn I was when a magazine asked me if they can photograph my house all decorated for Christmas…..next week. Yes Ilona Hadfield I can hear you laughing from here.
So this year Christmas is coming early to Holly Cottage as I haven’t got the energy to decorate, undecorate and then decorate again. And I’m kicking off with my first Christmas present. I have teemed up with the lovely people at Blinds2Go to offer one of you lucky people the chance to win a window blind of your choice worth up to £150.
I’ve been working with Blinds2Go ever since I started Amelia Wilson Interiors as they offer a very affordable made to measure service where you can choose from a large range of fabrics.
Their range includes lots of different colours with both plain and patterned designs.
And the quality and service is also very good, with most blinds being made and delivered within 2 weeks.
So to be in with a chance to win all you need to do is head over to Instagram and follow these simple rules (I know not everyone uses Instagram but it would be worth downloading the app just for this):
- Follow me @mrswpics and @blinds2go
- Post a picture of the window you would like a new blind for
- Include the hashtag #blinds2gomakeover in your post and tag at least two friends
- You can post as many pics as you like but you must tag new friends each time
The competition will run until 21st November when a winner will be selected at random. The winner will then be contacted and asked to choose their new blind from the Blinds2Go website and provide the necessary dimensions etc. so that their blind can be made and delivered in time for Christmas.
It’s as simple as that so get snapping and posting those window pics and in the meantime I’ll start putting up my Christmas decorations… Ho Ho Ho!
I thought I was never going to be able to show you my new outdoor kitchen what with all this crappy weather. Technically there was nothing stopping me from showing you, but bare furniture, BBQ covers and a tarp over the pizza oven just ain’t that photogenic. But yesterday the sun poked its head out and looked like it might hang around so I did my best headless chicken impression and spent an hour dressing it up real pretty, while praying the rain would hold off just long enough for me to get a few decent pics. Which I did, just keep your eyes off the deck and ignore any leaves, muddy dog prints and chicken poo. There’s only so much I can edit out.
The Outdoor Kitchen Project
When we bought Holly Cottage in 2010 this is what this section of the garden looked like.
Phase I – The Summerhouse
After a few failed Percy Thrower style gardening attempts I realised that it was never going to be more than a dark boggy area where nothing would grow. But on the plus side you get a great view of the fells from there so I just built a summerhouse on it.
This also gave me the opportunity to give Mr W the bar I’d been promising him since we bought the house, especially since I’d turned the original planned location for said bar into a wetroom….
Now Mr W is retired and we both live in Cumbria we eat dinner together almost every night, and despite what you think about Cumbrian weather we do manage to eat outside quite a lot. Which is what led me to thinking about an outdoor kitchen. Originally it was going to be a simple cooking area on the patio behind the house with a pizza oven and space for BBQ’s. But then I had ‘duh’ moment, you know when you realise how dumb you’re being. I design internal kitchen, living, dining spaces for customers all the time, why not extend the deck outside the summerhouse and have all of this in my garden?
Phase II – The Outdoor Kitchen
So this was the extent of the deck before.
….and this is it now
I did spend ages looking at gorgeous outdoor tiles and synthetic decking, but my budget just wouldn’t go there so traditional decking it was.
Now I don’t know about you but when we eat outside it always involves half a dozen trips back to the kitchen for things we’ve forgotten. So when I started planning this I just asked myself what I would have in a regular kitchen.
So we have an oven and two BBQ’s which means we can bake, roast, fry or grill pretty much anything. My step-daughters partner baked a mean dessert for us recently made from croissants, custard and cream. Bloody delicious. Email me if you want the recipe.
The supplier of the pizza oven also supplied a stand for it. But it bore no resemblance whatsoever to the stand shown on their website and was quite frankly a piece of junk (I’m still trying to get my money back). So in collaboration with the landscapers Coombe & Sharpe we came up with a chunky rustic style stand made from sleepers.
A kitchen needs a sink and I found a huge Belfast sink in my local reclamation yard. It was very stained so I just tarted it up with a couple of coats of tile paint. The landscapers built me a stand to match the pizza oven stand, and Mr W added the tile splashback for me.
The tap is fed from a water butt that collects rainwater from the roof, and drains into a ditch in the field behind the garden. We can’t drink the water but to be honest the sinks main purpose is to be a massive ice bucket for parties as we only have a small fridge in the summerhouse. But I can rinse stuff under the tap and water my plants using it so it has a few other uses.
I probably put more thought into the fence than anything else. I wanted this to be an extension of the summerhouse structure, so the slats needed to be horizontal not vertical, and the same width as the horizontal planks that the summerhouse is made of so that it flowed. I also wanted gaps between the slats so I could hang stuff on it, and to let light through and glimpses of the greenery behind, while giving some protection against the rain but letting the wind through so it wouldn’t blow down. I won’t be painting the fence, I want it to weather so that it looks like silver birch. I wish I’d done that with the summerhouse and the original deck but hey ho you learn.
More importantly the fence is my kitchen cupboards and shelves with storage and containers for utensils, cutlery, plates, condiments and herbs.
Hell there’s even a magnetic knife rack.No more traipsing back to the kitchen for the bread knife just as you’re about to serve up the hot dogs…..
You can’t beat IKEA for kitchen paraphernalia. It’s all steel so it shouldn’t rust, but if it does it’s easily and cheaply replaced.
Just before I left London I was walking through the Kings Cross area on my way to an appointment when I came across this table on the pavement outside an office building next to a pile of rubbish bags. Long story short it was outside the Diesel HQ and this was an ex display table they were scrapping. A few smiles and a promise to return the next day with a vehicle and suddenly I was the owner of one very cool industrial style table. A bit of Hammerite and some outdoor varnish and voila one kitchen counter, or island since it can be moved.
I already had an outdoor dining table so I just moved this up to the deck in true open plan style so nobody has to leave the party to check on dinner.
If it’s just the two of us there are also a couple of adirondack chairs for me and Mr W to have pre-dinner drinks. Above these is possibly my favourite thing in the outdoor kitchen – the huge industrial style outdoor mirror made specially for me by the lovely and very talented Ursh of Refunk’d. I love the way it reflects the garden so that it looks like a window.
Obviously the sun is the main light source in an outdoor kitchen but this is a 24hr kitchen so we also have wall lights along the fence and the front of the summer house. There are deck lights all the way round the perimeter and on every step to prevent nocturnal accidents…. and these beautiful fairground lights which give off a surprising amount of light. I also have an abundance of candle lanterns.
Soft furnishings are what really makes an outdoor space look inviting, and in this part of the world you need a plentiful supply of throws and blankets if you want to use your space after the sun’s gone down. I also have a fire pit and a chimnea which we bring up onto the deck when it’s really chilly.
I’m still humming and haa’ing over outdoor rugs. I obviously want them but not sure how practical they are when I’ve got chickens and two dogs, and its where to store them when I’m not using them?? I do think the ‘living room’ looks a little bare without one though……
And this was the reason I bought Holly Cottage – the view.
So what do you think, did I miss anything?
I was at a BBQ recently on what I now realise was the only sunny day of the year, i.e. summer. A former colleague was asking me how things were going since I’d left the glamorous world of insurance *raises eyebrows* to become an interior designer. As I described a few projects and some of the challenges I’d been dealing with he started to develop a very confused look. In fact he looked a bit like the delicious Mark Wahlberg does here.
At this point I should probably mention that he’s American. Now his nationality isn’t key to this story, although my northern accent has got a tad stronger since I moved to Cumbria so there’s a good chance this might have been the case. No, he was confused because it seems that in America an interior designer typically focuses on furniture and soft furnishings after all the other stuff has happened, you know like walls coming down or going up, pipes getting moved, rewiring, plastering etc. The stuff that takes up most of the money and that annoyingly none of your visitors appreciate when they come round for dinner when the skip has finally gone and the place no longer resembles a war zone. Apparently in America interior designers just get to do all of the nice stuff.
“I know Mark, that makes me pretty cross too”
I make no apologies for the shameless use of Mark Wahlbergs image. What’s not to like…
So after a short period wondering if I should relocate, and then knocking that idea on the head because (a) really not loving Trump, and (b) really loving Cumbria I started to wonder if my fellow Brits were also in the dark as to how much we can do. Does the average Joe or Jo really think we are just cushion scatterers? This horrifying thought compelled me to compile a list of “10 things you might not expect from an interior designer. So here goes.
Ten Things You Might Not Expect From An Interior Designer
1. Planning applications
If your house is listed or you want to add something big, high or unusual (I’m summarizing obviously) you are probably going to need planning permission. This means submitting scale plans and drawings which normally has people immediately googling ‘local architect’. But if what you are doing is straightforward then this might be something your interior designer could do and save you a bit of money. I recently completed a Listed Building Consent application for this Grade II* listed property that included site plans, elevations and a complete design and heritage statement. Not bad for a cushion scatterer eh? And yes it got approved.
2. Moving your meter
Sods law states that if you want a new ground floor wet room it’s likely to be where your electricity meter is. Or maybe I’m just unlucky as this has happened to me on more than one occasion. Gas and electricity meters can only be moved by the utility company, and you usually have to submit scale plans showing where the meter is now and where you’d like it to go. The utility company are used to dealing with third party applicants, and your interior designer will already have drawn plans showing you what your fancy new wet room is going to look like, so dealing with the utility company is no big shakes.
3. Organising a structural engineer
Structural engineers must love the trend for open plan interiors and flowing indoor outdoor spaces ‘cos where there’s a supporting wall you might just need a structural engineer. Most interior designers will see stuff like this all the time so will likely know a good engineer, by which I mean one that knows their stuff, doesn’t charge an arm and a leg and knows the local planners so can advise on best approach to getting your plans approved. Hell we might even be able to jump the queue for you as the good ones will (or should) be busy.
4. Tech advice
When I’m designing kitchens and bathrooms my customers often want advice on appliances and fittings in terms of spec, quality and price. This is of course something they can research themselves, but often don’t have the time. And as interior designers we have experience from previous projects and insight from customers, suppliers and trades that we can share. Online reviews are great but you can’t beat feedback from people you know. We don’t just advise on the pretty stuff ya’ know.
5. Waiting in for deliveries
As an interior designer I spend a lot of time looking for unique items and bargains for my customers, and when I find ‘em I buy ‘em quick before they’re gone. I work from home so it’s easy to have customer goods delivered to me and I just store them until we’re ready for them. Not so easy for things like sofas and appliances but if the customer can’t be home for the delivery then I just take my Macbook and work from theirs until it arrives. All part of the service people.
6. Cleaning your house
Bet you weren’t expecting this one were you? One of the things I can organise for customers is a big clean after the messy work has finished. Claire and her team are so good that this has led to a permanent arrangement for some customers. I know not everyone can afford a cleaner but once you’ve had Claire & Co clean your house you realise how poor your own attempts at cleaning were. And there’s nothing better than someone else magically making all that plaster dust disappear.
7. Stocking your cupboards
Now I’m not saying we’ll do your regular Friday big shop, but if you want to do a complete out with the old and in with the new then we can help with more than just the decorative stuff. I’m currently working on a 3 bed holiday let and second home and I’ve bought the crockery for the kitchen, the handwash for the bathrooms, the bulbs for all the lights and the logs for the fire. Literally everything including the kitchen sink.
8. Restoring furniture
Before I became an interior designer I took a number of upholstery and furniture restoration courses, and I love finding old pieces with character and giving them a bit of TLC. This is also something I’ve done for customers and I know other designers who don’t mind getting their hands dirty in pursuit of your dream home.
9. Selling your old furniture
I hate to see things go to the tip. Where I can I work with customers to rehome their old kitchens, bathrooms and furniture. This can mean sticking stuff on eBay for them, or taking it to the local auctioneers or charity shop. I’ve even sold their unwanted items to other customers. This customer may have a beautiful new bath but my next door neighbour bought and painted her old one so she has a spanking new bathroom too.
10.Counselling and mediation
This is obviously a little tongue in cheek but a good interior designer also needs a good dose of emotional intelligence. Even good change can be very stressful for people, particularly when it involves spending what will feel like large sums of money. Just because a customer has a small budget doesn’t mean it isn’t a lot of money for them. This means being sensitive to this, managing their expectations and not rushing them into decisions. Similarly couples don’t always agree on plans and a little practical mediation can help them reach agreement. Remember the red versus green dining room?
So out of 10 how did you score? Many surprises?
Never before has a room been so inappropriately named as this snug which my customers use as a TV room. At over 25 square metres it’s bigger than somewhere a London estate agent once tried to flog me as a one bedroom flat.
It’s the second room I’ve decorated for my customers. Our first project was their Ginormous Living Room – click the link if you want to pop back and take a look. It was a major transformation and they loved the final result which set high expectations for round two. I needed to come up with something at least as fabulous, preferably better and I think I rose to the challenge but I’ll let you be the judge. Ready for some before pics?
The Snug – Before
Their TV room was originally the garage but the previous owners who built the house later decided they needed an extra living space and converted it. God knows what they were using the ginormous living room for. Tennis court? Ballroom? Seriously pop back and take a look it’s big enough.
And if you did take a look you’ll know that the previous owners were also fans of a fake beam or two. They managed to squeeze three more in here, along with a staircase that we think came out of a church. It also had a strange laminate floor and carpet combo going on.
Those stairs lead up to the loft space where there is another fabulous fake beam and some badly designed storage. Lets not discuss the carpet, wallpaper and curtains – all the previous owners doing.
The previous owners also liked to cut corners and didn’t bother moving the electricity meter, they just hid it behind an oddly shaped cupboard….. and a darts board.
The Big TV Challenge
When I design living rooms I usually try to hide the TV, or at least make it blend into the background. But if you have a room that’s main purpose is for watching TV in you’re allowed to give it a little more stage presence. However, a lot of TV stands are ugly, even the expensive ones, and they don’t always hide all the wires. The other issue is size. You need to fill the wall that the TV sits against with ‘stuff’ so it doesn’t look lost. Here’s some approaches I’ve taken.
1. Incorporate the TV into a wall of storage and/or artwork
Image from AVSO.ORG
Image via Pinterest
2. Make the wall behind the TV the feature
I recently tiled a wall like the image below and used concealed lighting to pick out the contours. I’ll show you some pics of my own project just as soon as their new TV stand arrives. The current one is not pretty enough for pics…..
Image via Pinterest
3. Use a false wall
Image via Pinterest
Or the false wall can look like a chimney breast or run the length of the room with the TV and media equipment buried in it. This approach works well when you want a more minimalistic look so that the emphasis is on other elements in the room. I love the image below but I’m not convinced you should have a TV above a fire.
Image via Pinterest
So back to the snug.
I wanted to carry some of that modern country look through from the living room for continuity but add a touch more luxury. This translated to a scheme that includes a plush velvet sofa and grey plaid wallpaper (I can’t call it tartan without thinking of the Krankies).
So are you ready?
The Snug – Final Reveal
When my customer told me she quite fancied a velvet sofa my heart practically skipped a beat. Many of my customers have dogs and/or small children so velvet (especially deep buttoned) is a big no no. And although my customers have both a dog and a small child they also have the aforementioned ginormous living room, which they can use when everyone isn’t as clean as they should be. So we could make this room a bit more grown up and sophisticated. Bring it on!
The focal point is obviously the new media wall. The gas fire has gone and a new stud wall has been built to resemble a chimney breast so that we could wallpaper the alcoves either side. This gives the whole wall interest so it’s not just about the TV. The shelves below the TV are big enough to accommodate the current media equipment and any future equipment the customers might want, and there is concealed lighting along the top to give just the right amount of light for late night movie watching.
The wallpaper adds a posh country hotel vibe doesn’t it, and it was only £10 a roll……
The side table tops come off and can be used as trays so you have somewhere for your wine and popcorn when you’re watching a movie.
My customers are a VERY photogenic family and had loads of lovely pics I could use as artwork. The black and white prints and simple white frames look lovely against the wallpaper, and we hung the pictures high to make the walls seem longer.
The large admiral blue deep buttoned velvet sofa and matching ottoman with storage is from Next. There was room for two sofas or a sofa and armchair combo but frankly the homeowners sit in here to watch TV so one large sofa means everyone is facing in the right direction.
You remember the rule about area rugs right? Buy the biggest you can afford, preferably one that is wider than the sofa so it doesn’t look lost. This plush deep pile one is from IKEA, because it’s multiple shades of blue it contrasts with the carpet but doesn’t clash with the sofa. Perfect.
We papered the wall behind the sofa so that side of the room didn’t look bare. The dark wood doors were replaced with white 6 panel ones to match the rest of the house and all the woodwork was painted white, including the new under-stairs storage (with push to open fittings so it doesn’t look like cupboards), and the new cupboard that houses the electricity meter.
Replacing the staircase wasn’t an option, or necessary to be honest so we just replaced the newel post with a more contemporary square one, and the new grey carpet carries up the stairs into the space which will become an office, right now it’s just a nicely decorated box with lots more new storage space – see.
Most of the budget had to go on things you probably can’t appreciate like getting all the radiator pipes chased in, sorting out the lighting and plug sockets and boarding and plastering the ceiling. But there was enough for a simple console table behind the sofa and a few more framed family photos.
I toyed with the idea of floor to ceiling curtains to make the ceiling seem higher but because of the position of the radiators roman blinds made more sense (curtains would block heat from the room in winter), and to be honest blinds look more contemporary. They are a pale grey felt like material and couple of shades darker than the walls. They just add a little more texture to the room without competing with the sofa.
Us Brits love a good pub but often for different reasons. For Mr W it’s always about the beer. When we lived in Leeds he used to drag me to this godawful place with a sticky floor and customers that resembled the cast of The Hobbit because he swore the beer was the best in Yorkshire. His new favourite haunt is The Swan Inn in Cockermouth which I worked on last year, and which he says serves the best pint in Cumbria.
For me a good pub has to have character. I want to see unusual features or something different in the deco that will spark one of those ‘ooh I like those lights’ kind of conversations. The kind of conversations Mr W just loves. Just like I love our chats about Leeds Uniteds chance of promotion this year…..
I like a pub where there are plenty of things to look at when me and Mr W are enjoying a comfortable silence. While he’s fantasising about Leeds Utd winning trophies I sit there mentally filing all the ideas I like for future projects and silently slagging off critiquing those I don’t. So I was very excited when the owner of The Mill at Ulverston got in touch after seeing what I’d done at The Swan Inn. Here was another chance to create the kind of eye catching details I look for when I go in a new pub, and to be honest The Mill already had lots of interesting original features to look at, they just weren’t making the most of them. So are you ready for a few before and afters? I make no apologies for the number of pics – there’s lots to show you.
The Mill at Ulverston
The Mill was originally one of Ulverston’s flour mills and parts of this grade II listed building date back to the 12th century. It was refurbished in 2009 but the interior was looking more than a little tired and the owner wanted to give it a makeover as part of a larger programme of investment, which included bringing in multi award winning chef Steven Doherty as their new Executive Consultant Chef. I won’t lie the menu was very uninspiring when I first visited The Mill but now the food alone is a reason to visit. But anyway back to the decor….
Faux leather chairs, cheap lighting and bare windows. Pretty bland eh?
The Brief & The Plan
The owner wanted The Mill to look like the gastropub he was planning to turn it into – a little bit traditional, a little bit modern and a little bit quirky. But not too different as the customers liked the original features, and I’ve found that in any pub regulars never like too much change. So I talked with the staff and (purely in the interest of research) spent a Friday night in the bar checking out and chatting to the customers. I then came up with a plan. The new interior would have a more industrial/vintage look by using metal, wood, leather and wool in the décor that would link it to the history of Ulverston, and its industrial and agricultural heritage. We would maximise the original waterwheel feature by improving the lighting and surrounding area, and introduce new decorative features based around the history of Ulverston and famous Ulverstonians. Intrigued?
The Restaurant at The Mill
So lets start here shall we? The restaurant had loads of great features already, a high ceiling, original beams, exposed stone walls, beautiful windows and a great wood floor but it was very cold looking and to be honest a tad boring.
But not anymore.
A big room needs big lighting so we replaced the chintzy chandeliers with large black metal orb lights and added matching rope and metal wall lights.
The combination of metal and rope really works in this industrial space but the lights are still ‘glam’ enough for the kind of restaurant this was going to be.
There is a long wall on one side of the restaurant and the owner desperately wanted something doing with it but didn’t know what. I came up with two ideas;
- Have wallpaper made up of an old local ordnance survey map
- Ssuspend’ large industrial style mirrors from rope
I was a little stumped when he said yes to both. But when we got the wallpaper up we all agreed covering it with mirrors would be a mistake so we stuck with the wallpaper. It was made by a company called Redcliffe Imaging who were great at helping me work out what area to include. and how to best position the town name.
We still managed to incorporate my suspended mirror idea but just hung one on the wall opposite. The mirror is fixed to the wall but we used rope and hooks to make it appear suspended from the ceiling.
The Ground Floor
The room behind the main bar on the ground floor has always been a favourite with families and locals who want somewhere a little quieter to sit. The problem was it was a bit too dark and very stark looking – see? (Make note of that wall clock….)
Looks a little more inviting now me thinks.
These new wall lights made a big difference, much brighter, and we added a couple more in the darker spots.
The wall clock is gone and in its place is a collection of vintage beer bottles in lighted alcoves. This false wall with recesses was easy to create and it instantly draws your eye when you walk into the room. The wall panelling on the lower half of the walls was something the owner really wanted, and painting it a darker colour breaks up the walls.
Next to this we added a butchers paper roll for specials and re-hung some of their old prints with a few other items including mirrors, a couple of barometers and an alarm clock to add more interest.
There was nothing wrong with the tables and chairs in here but we did reupholster the seats in a mix of tartan wool fabrics, again from Abraham Moon. FYI I had big plans to make more of a feature of that fireplace but we ran out of time and budget.
The Cask Bar
A long corridor connects the room above to the Cask Bar at the front of The Mill and this is what it used to look like.
When I was doing my research it struck me how many interesting things had happened in Ulverston, which is what led to the idea of creating a timeline of events. I had sleepless nights worrying I’d got the dimensions (and the facts) wrong and that it wouldn’t fit round the new lights, and I had quite an audience when I was installing it as every customer who visited the loo had a read over my shoulder. But it looks fab and has created a real talking point. Apologies for the first pic – it’s impossible to get a good picture without the lights on.
All the new lights in The Mill are industrial or vintage in style but we made a point of using different lighting in each area to make it more interesting. We used these Brinley wall lights and the matching pendants in the Cask Bar.
So now we’re in the main bar I have to show you some more before and after pics just to highlight the difference. Lets start by the fire.
…and now look at it.
The whole bar is just so much more inviting.
I also suggested a future money saving idea which the owner liked. They used to spend a fortune on candles, but I found these faux pillar candles which hold a tea light so instead of paying £1 or more for a candle which would last 2 nights at best they would pay pennies for tea lights. Genius eh? They’re from a company called Greige if you’re interested.
The area of the bar I’m particularly pleased with is the snug behind the stove, which used to be very bare.
It’s now uber cosy and a little bit edgy with it’s industrial mirror, rise and fall pendants and gallery wall. Those dark walls are painted in Farrow & Ball Salon Drab, and we used Valspar Earthy Beige where we needed to go a little lighter.
So what do you think? Could this be your kind of pub?
I’m going to leave you with a final quote from another famous Ulverstonian, Mr Stan Laurel. If you want to see which other celebs were born in Ulverston you’ll have to pop in.
As an interior designer I believe the relationships we have with our homes are no different to the relationships we have with our partners in some respects. They are rarely perfect, and always involve compromise. At Holly Cottage I traded lack of natural light for space, character and garden. Obviously Mr W is perfect…..as well as a reader of my blog *slaps leg and chuckles at her own wit*
And like our personal relationships, sometimes we neglect them. We get complacent. Treats don’t need to be expensive but we stop making an effort. And if this goes on for too long we forget what we fell in love with and start noticing every flaw. And sadly in both cases this can lead us to Rightmove.
The role of the Interior Designer
An interior designer wears many hats, a fellow interior designer once referred to us as ‘project managers and problem solvers with taste’ which about sums it up. But what a good interior designer can also do is make you fall in love with your home again. We’re like new buyers when we walk into your homes, but the kind that can see potential. That fresh pair of eyes and the ability to see what could be achieved is worth its weight in gold. Mr W would never have bought Holly Cottage if I hadn’t a hissy fit. I know, so unlike me….
And just to blow my own trumpet for a second, I am told I have a hugely infectious positive can-do attitude. You see gloomy 1980’s kitchen….
I see the smart modern shaker style kitchen you’ve dreamed about with space for the downstairs loo you’ve always wanted.
I’m a whirlwind of positive energy that will practically force you to fall in love with your home again. Remember that poky dark guest bedroom you had?
A distant memory since I turned it into a second sitting room overlooking the fields behind your house, with a sofa bed for guests and a new dressing area for you.
If I had a theme tune it would be Take That’s ‘Re-light my fire’. You complain about lack of wardrobe space in your bedroom and can’t see a solution that doesn’t involve swapping your marital kingsize bed for bunk beds…
I suggest we steal 60cm from the room next door and double your hanging space and save your marriage. You see unsurmountable problems. I show you the light at the end of the tunnel.
When I bought Holly Cottage the kitchen lacked storage and worktop space and had this huge void in the centre of the room.
So I built out the chimney breast and knocked a hole in it big enough for a new range cooker and added an island. Well I didn’t personally but you know what I mean.
You see a reason to move.
I show you why you should stay. I’m like Viagra for the house.
Got time for a couple more before and afters?
Go on, one more since you asked so nicely..
So if you’ve fallen out of love with your home and can’t see any way of getting it back don’t despair, get in touch and I’ll help you put the fire back into your relationship.
Amelia Wilson, Interior Designer and Passion Reigniter!
The owner of this Georgian bedroom, well part owner, is a writer of romantic fiction. Which is compelling me to make my writing style a little more poetic than usual. We finished her master bedroom last year and now have some very dramatic before and afters to show you. So brace yourself for a slightly steamy ‘tongue in cheek’ literary themed post. Hell I might even throw in a few phrases and adjectives more suited to a Mills & Boon novel. Well why not it’s got your interest hasn’t it?
Flashback to the master bedroom of a beautiful old Georgian farm cottage in the wilds of West Cumbria. It was a little neglected, and (due to lack of storage space) more dishevelled than the farmers daughter after a tumble in the hay with the young farm hand. Quite frankly a tall dark handsome stranger could have lurked mysteriously in a corner for quite some time before being noticed such was the homeowners need for hanging space…..
Our heroine a romance novelist and hardworking mother of two longed for a beautiful bedroom. One without woodchip wallpaper and worn carpet, and perhaps, dare she dream fitted wardrobes and even some decent lighting. But where to start?
Her husband, a public servant with smouldering good looks (you’re very welcome Ian), also dreamt of a place with plentiful hanging space. But he had his hands full with other important stuff. And so the days came and went and their bedroom remained cluttered.
Then one day our heroine was driving down a winding country lane. The rain pounded against the windows and the wind buffeted her little car from side to side between the hedgerows. As she turned into the village she heard an advert on the radio for Amelia Wilson, an interior designer and project manager. Misty eyed she looked into the rear view mirror and clutching her ample bosom with one hand (remember she’s driving) she asked herself, could this be the answer to my prayers? Is there really a person out there who could turn my dreams into reality and organise all the work? Quickly, before she rear ended the tractor in front of her, our heroine returned her eyes to the road (and her hand to the wheel) and drove home, where she immediately sat down and googled Amelia.
Well that is after she had unpacked the shopping, made tea, bathed and put the kids to bed and done two loads of washing.
Fast forward two weeks and our heroine and designer meet and the designer goes away to form a plan for a Georgian bedroom. Finding inspiration in the heroines treasured bedspread she decides on a colour scheme of sage green and ivory with accents of royal blue. There would be a mixture of antique and newer pieces of furniture, with some subtle florals and vintage accessories. The focal point however would be the new fitted wardrobes, wardrobes fit for a king. The designer returns and shows the plan to the heroine and her dashing husband. They make one child friendly modification (no cloches….), and remove the botanical prints in order to appease the dashing husband, and then agree to get started.
They all agreed that a Georgian bedroom required Georgian style wardrobes…. Enter our knight in shining armour Kevin with his trusty squire Dean. Together in a very manly way with lots of sweat and power tools they rip out the existing cupboard and install custom made wall to wall wardrobes with Georgian style panelled doors and ornate plinths and cornice. The wardrobes are broken up by two large bookcases providing a home for our heroines many books, and have cleverly concealed storage space behind them. Perfect for hiding the childrens Christmas presents.
And they didn’t stop there, Kevin also made Georgian style panels to match the wardrobe doors for either side of the window, replacing what would have been there originally, and restrung the sash windows so they glided open once more.
Cue dramatic music as Sandy the electrician arrives on the scene…..Disaster has struck. The antique bag chandelier which has come all the way from France needs re-wiring, despite the Etsy seller telling the designer that it would be wired for use in the UK. But Sandy is also a knight in shining armour and just rewires it. Problem solved.
But the plot thickens, Kevin and Sandy aren’t the only knights competing for ‘best tradesman in West Cumbria’. Enter Michael Fulton Professional Painter & Decorator. He comes up with an ingenious solution to the woodchip in our heroines bedroom. He sees no need to strip *pause for effect* He avoids costly plastering and copious amounts of dust by lining the walls with thick lining paper. Leaving the walls as smooth as a young maidens skin and ready for painting. And paint them he does, along with the ceiling, wardrobes, windows and the antique pine coloured bed.
While all this is happening the heroines new bedroom chair arrives. The box it comes in is so big the dashing husband rolls up his sleeves and with the aid of scissors and packing tape turns it into a playhouse, earning himself and our heroine a much needed break while their young children entertain themselves with their new toy.
Last to arrive on the scene are the fitters from Tony Roberts Carpets Direct. After much sucking of teeth at the weight of the enormous carpet and the bed which could not be moved out of the bedroom they lay the new underlay and carpet.
Then in a last minute twist Kevin has to return to fit the curtain pole and hang the mirror. For as dashing as our heroines husband is he does not posses the tools (nor the patience I suspect) to get screws to stay in the thick stone walls of their Georgian cottage. So Kevin arrives, he fits, he hangs, and he leaves and suddenly the house is quiet……
The curtains have been hung, the lamps lit, all their clothes have been unpacked and put away in the new wardrobes, and books have been placed on the bookshelves. The Georgian bedroom is finished.
And it is beautiful.
The wall colour is Muted Sage by Dulux. We used Dulux Endurance which is scrubbable so it doesn’t matter if our heroines little cherubs draw on the walls…. The woodwork has been painted an off-white called Wild Mushroom by Valspar. Both colours work beautifully with our heroines treasured bedspread.
The new wardrobes are a triumph. The door handles were salvaged from their old dresser before it was taken away and inside there is hanging space galore, shelves for folded items and storage baskets for smalls. Full length mirrors line the centre doors and as our heroine has never had a full length mirror in this room she is beside herself with joy.
They have a new antique bedding box, sourced from an Aladdin’s cave of antique and vintage treasure in Manchester and just given a good clean and polish.
The newly re-wired antique bag chandelier casts sparkly light all over the bedroom and adds a touch of glamour.
….and they have a new pair of antique brass touch lamps on their nightstands. Apparently touch lights are a godsend when a child shouts for you in the middle of the night – no fumbling around looking for the switch. Notice how the radiator has been painted to blend in to the walls?
And yes I know the bedsides don’t match. Where’s the rule that says they need to? The husband liked his old one and I sourced a secondhand one for our heroine. Everyone’s happy.
The utterly gorgeous blue velvet chair is the only ‘new’ piece of furniture and is from Atkin & Thyme. Unfortunately the cats are fans too… The floor lamp and side table are more of my antique finds and the green floral curtains are a Dunelm bargain which we had shortened. Just look at that lovely new panelling around the windows, you’d think it was original.
They already had the antique bureau, and the vintage mirror and wash bowl and pitcher set were charity shop finds. But I’ll let you in to a little styling secret. The bowl and pitcher set used to live on my bedroom windowsill and only came along as a prop for the photographs, but the heroine fell in love with them so I left them behind. I’m good like that.
So our story has come to an end and all that is left to tell you is that our heroine and her dashing husband love their beautiful new boudoir, with its relaxing colour scheme, bountiful storage, and acres of clutter free floor space. The only ones pouting now are the cats as I’ve taken away all their hiding places. But other than that they all lived happily ever after.